Archives for posts with tag: Woman

Remember Ghanaian poet and singer Poetra Asantewa? If you don’t, there’s this little refresher course- https://afrikajump.wordpress.com/2017/01/17/7-questions-with-poetra-asantewa/

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Her new work is is curious and asks questions about that inevitable fate we mostly dread- Death. It is titled CORONER. Check it out here-

 

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Nigeria is home to many prolific story tellers, always has been. It is evident in movies; music; writers and especially vivid in its theater. 60s and 70s Nigeria saw a boom in drama and stage performances with human proponents like Hubert Ogunde, Baba Sala, Eddie Ugbomah, Ken Saro Wiwa and many other lesser known but well loved thespians that impacted their immediate communities and cities.

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AFRIKAJUMP is happy to have here Temitope Omobolanle Haastrup-Atitebi, a gifted actor often sighted in quality theatrical productions in Nigeria. She was part of the popular SARO-The Musical; which had a cast of over one hundred artists, and has also played Funmilayo Kuti, activist and mother of legendary musician Fela Kuti. She continues to represent depth and detail in her field. The entrepreneur and charity organizer took time off her busy life to answer some questions about life and work.

Here goes.

AFRIKAJUMP- It is a real pleasure to have you on, sister. Thank you for giving us some of your time. How do you juggle being a theater artist and entrepreneur?

OMOBOLANLE-I have realized that I am blessed being a Theater artiste because theater is really encompassing. It prepares and trains you for the persistence and doggedness one needs in any area of life really. Fortunately, what I do as an entrepreneur is in the art; an extension of theater. I trained in acting, costume, make-up, stage management, theater management, directing and production management.

All these skills and knowledge come to play whenever I need them either as an Event manager or as a fashion and craft vendor. Truth be told I don’t even see it as work, because every event is a production that needs all these skills to become a success.
It was actually the theater that inspired my business and provided a platform for me to grow, needless to say most of my clients are in the industry and they give me a lot of referrals as well. That’s why I call myself a Theater-preneur.

AFRIKAJUMP- How did your journey into theater and performance start; and was your family supportive of your decision to study theater at the university?

OMOBOLANLE-I have always been in love with performing arts. I had been singing, writing, acting and dancing as part of school/extra curriculum activities. However I started becoming aware of the special gifts and passion I have for performing arts after secondary school while waiting to get into the University.
Sometime in 1995, I saw a notice board with an invitation to become an actress. I remember walking into the building, registering and being very excited; that was the beginning. Afterwards I went to the training venue somewhere off Yaba road and there I met Lancelot Odua Imasuen.
The training school was called Jovies. However the major challenge was convincing my family that I wanted to study Theater.

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They felt that I was confused and didn’t know what I wanted at the time. Studying theater was a waste of my intelligence as far as they were concerned. I must confess I was confused about a lot of things I wanted in life then but being a performer was not one of them. Theater has been the only constant thing in my life, something I never struggle to do.‎ I fought my way through the opposition from my family and even from within me; Theater won.

AFRIKAJUMP- Beautiful. Congrats. What was your first role you got a cheque for and what was the experience like?

OMOBOLANLE-I honestly can’t remember getting a pay cheque but am sure I did. The experience was much more than a cheque for me at the time. Just being able to perform, being acknowledged as an artiste trumps a million dollar cheque.

The play was OBASEKI produced and directed  by Don Pedro Obaseki  with a star-studded cast of Richard Mofe-Damijo, Norbert Young,Stella Damasus, Henry Ese, Toyin Oshinaike,Kabat Esosa-Egbon, Eliel Otote,Lancelot Oduwa Imasuen and a host of dancers and singers. Everything I know in the arts, j first learnt from these people. I went from being a singer in the Orchestra to becoming an actor and later to be declared best dancer by Don P! (Story for another day).

Later went on to work with Lancelot’s production company as a secretary and was the production secretary as well as an actor in his first films YEAR 2000 and YESTERDAY. I also did my first TV series called laugh patterns in 2002/2003.

AFRIKAJUMP- Lovely, I remember Laugh Patterns. And your fashion ventures, what inspired it?

OMOBOLANLE- I literally just found myself in fashion it wasn’t planned at all. I wanted to make souvenirs and gift items that are unique. Again the arts inspired me; I started looking at using materials that speaks of my cultural background that can appeal to the world. It just took off from making flip-flops to bangles and earrings to tote bags to hair accessories to t-shirts and then dresses and then to everything I can. I am also a very fashionable person so it became a translation of my lifestyle into work. Now I do costumes for productions, my latest jobs were AFFRIF the Christmas play by Harvesters Christian Church in 2016.

AFRIKAJUMP- You have also worked in theater productions which heavily incorporate music, like Saro, and you also played Fela’s mother, how has your exposure with different aspects to art affected you as an actor?

OMOBOLANLE- When I started out, there was excuse for not being able to sing, dance and act- it’s a must. There’s absolutely no doubt that I got the best training  from the best hands in the industry and what that has afforded me is that I can be in any kind of theater production in any capacity, and I always give much more than I have been called for. I contribute positively to every aspect of the production that I possibly can. Playing Fela’s mother Olufunmilayo Ransome-Kuti was a great honor and being part of Nigerian’s first commercially acclaimed musical was a dream come through which I was well equipped for.

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AFRIKAJUMP- What would you say of the reception by people in Nigeria about this important branch of art-theater?

OMOBOLANLE-Theater is life; it’s everything. Africans, Nigerians love telling stories, love spectacle; love music and dance and this is what theater is about unfortunately there was a lull, somewhere somehow we traded our essence for shadow. The craze of westernization and all its accompaniment almost killed theater but we are going back to embracing who we are and developing those things that makes us unique as a people. Nigerians are beginning to look for alternative forms of entertainment and theater is providing that especially because it’s not limited; there’s drama, music and dance and now even fashion. The theater is also very interactive and a great place to network.

AFRIKAJUMP- What has been your most challenging role so far?

OMOBOLANLE-My most challenging role was playing Iya Ibeji in Femi Osofisan’s Twingle Twangle a Twanny Tayle in 2003 as directed by Dr Sola Fosudo. It was my first lead role as an actor. I had to show a lot of emotions; one minute I am sad another I am angry or throwing tantrums….I had to manage my voice and be on point. I tried though because I won the best actress of the year at ATAS LASU 2003 for that role.

AFRIKAJUMP- Congrats girl. What would a dream role be, in your opinion?

OMOBOLANLE-Playing Sister Clarence in Sisters Act.

AFRIKAJUMP- What do you think upcoming theater enthusiasts need to know basically?

OMOBOLANLE-Theater is hard work with a lot of passion. Talent alone cannot take you far you must invest in developing yourself all the time. You must constantly reinvent.

AFRIKAJUMP- Can you describe your city in one word?

OMOBOLANLE-Inspiring.

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In keeping to one of our major themes of showing the best of Africa, and the rest of the world, we caught up with an artist on the rise, from Ghana’s Eastern Region.

Accra based POETRA ASANTEWA is a strong example of human and artistic metamorphosis. She has come a long way from the shy girl who was hesitant to take the microphone at an event we attended at Nubuke foundation in Ghana almost 7 years ago, to a fully fledged poet; writer; singer and more.

Poetra is evolving into an artist whose endeavors cannot be tamed. Her lyrics are unafraid; unbridled; passionate and yes, explicit – this lady owns her womanhood and sexuality hundred percent, a necessity for the progress of women, and women artists in Africa and elsewhere.

We are also proud of her entrepreneurial spirit. Her fashion label, ALIKOTO Clothing produces authentic and exciting Ghanaian fashion that matches all kinds of personalities and pockets. When Ama Asantewa Diaka isn’t being Poetra; the fashion designer and singer, you can catch her doing geeky tech stuff with computers. AFRIKAJUMP caught up with her to ask about some of her plans in 2017 and her wonderful work, in 7 questions. Enjoy.

AFRIKAJUMP- When did you realize you could make magic with words?

POETRA- I’ve been writing for as long as I can remember; my earliest memory of writing was when I was in class 4 and my classmates gave me empty exercise books to fill it with short stories. I always thought it was ordinary, I never thought my writing was a big deal until I started getting huge feedback after sharing my work on social media. So I guess, that was the moment of self-actualization; that was when I realized I could make magic with words

AFRIKAJUMP- In your piece with Akan, ‘Vote for me’ you were very vocal about corrupt Politicians in your society. In a world where many feel it is safer to keep quiet, why is it important to you to use your art for activism, and in speaking against societal ills?

POETRA- All we have is art, to be very honest.  Art distills, art reveals, art hides in plain sight when needed, art tells the truth. And as an artist I am obliged to be honest with my art, and for my art to be relevant to my community. I cannot imagine creating work that does not directly or indirectly affect my community. There is nothing safe about being silent or turning a blind eye on issues.

 AFRIKAJUMP- What challenges in your work made/make you throw your hands in the air, in a rage? And how do you deal with it?

POETRA- In Ghana, I don’t have the luxury to be just an artist. I have to be artist, promoter, organizer, sponsor, event coordinator – I have to be it all. And it is frustrating having to be all these things in order to get your art out there. But the desire to just create is an urge that never goes away. And that keeps me going.

AFRIKAJUMP- In 2015 you released your first spoken word EP ‘Motherfuckitude’ and it clearly announced you in your home country and beyond. What inspired it?

POETRA- Motherfuckitude is the result of coming from a place of struggle and emotional imbalance. It was a project to override my limitations, insecurities and ineptitude.

AFRIKAJUMP- You are a tech person who designs, edits, floats a fashion label amongst other interests, how has having several skills impacted your work as an artist?

POETRA- Having different skills means that each interest or skill seeps into the other. It means that my attention for detail is seen both in my writing and my designing; it also means that I struggle to juggle all these interests, but the struggle ultimately feeds into inspiration for more art.

AFRIKAJUMP- Any past, present or future project(s) you would like us to know about?

POETRA- Working on releasing a lot of new material this year, and working on my album!

AFRIKAJUMP- Can you try to describe your city in one word? Okay two words max.

POETRA- Lukewarm

 To get lost in the words and voice of this artist check her Soundcloud page. You can get updates, LIKE her Facebook page. ❤

https://www.facebook.com/PoetraAsantewa/